#UglyGod EXPLAINS the Struggles of Being a Independent Artist!
With its roots in the musical innovation of pioneering Jamaican –American turntabulists in the Bronx, New York City in the 1970s, Hip-Hop music spread across the city , was embraced by graffiti artists and break dancers , soon spread across the five boroughs , the entire United States and around the world. Today, Hip-Hop is the most popular genre of music worldwide and crosses every type of social, national and political divide. More than a musical genre, Hip-Hop has become a cultural lifestyle movement which includes art, dance, urban clothing, and urban fashion. In the United Kingdom, popular Hip-Hop clothing brands such as Phat Farm, Akademiks, Coogi, Ecko and Fubu have always been sought after, but were previously only available to buy as expensive imports. With the sustained dominance of Hip-Hop culture amongst the youth of the United Kingdom, fans of the lifestyle began to demand the types of clothing worn regularly by their musical heroes and heroines. Nowadays, many online sites allow for the purchase of urban clothing and urban fashion for males and females alike.
As British high street brands belatedly caught on to the trends, they tried to capitalise by reproducing the styling of top brands from cross the Atlantic and elsewhere. Hip-Hop is a do-it –yourself culture, and many of the signature looks were originally created by the customisation of inexpensive work wear and sports clothes, with a focus on brand names emerging later as commercialisation took hold. Whatever urban brand you prefer, and whichever way you prefer to customise a look in order to make it unique, favourite famous brands are now available on man web sites in the United Kingdom.
Look at different sites online in order to see which carry your favourite brands and which offer the best prices and delivery rates and before you know it, you can be rocking your hip hop look in your local hood, looking so fresh and so clean!
The roots of hip-hop actually go end as at a great distance as the West African culture of the 1700′s which was brought in from another place to the United States by the slaves who were gained by personal exertion from West Africa and sent to exert oneself in the cotton plantations of the South. When their descendants made their way to New York City in an effort to better their lot by escape the hidebound racism of the South, they brought the tradition of the West African griot, or public poet and storyteller, with them.
But the griots of New York City were not those of Africa or even the South, especially as the migrants of the 50′s became the leaders of the civil rights movement of the 60′s. The griots of the 60′s recited street poetry of a civic nature – of disobedience, and bravado, and animosity – yet of hope for an exceptional future of imbalance and freedom from discrimination.
And those street poems were in the course of time set to a balanced beat that conjured both Africa and the Caribbean from which new immigrants of African beginnings were arriving in the urban ghettos of New York. Soon the ghettos would come alive with the sound of music featured at block parties, where styles and tribes diversified together to conceive an additional world of urban songal fusion.
These parties often highlighted DJ’s who would use unusual techniques avoided by mainstream DJ’s as they without doubt caused damage to the fragile vinyl of the times. But fans of block party guests scooped up the effects of the modernized DJ’s, knowing that these were their own DJ’s with their own style.
Hip-hop was many things the disco of the 1970′s was not – metropolitan, bold, non-conformist and all-powerful. It was only a matter of a few years before it would be displayed from Harlem and Brooklyn ghettos in New York to other inner city neighborhoods around the United States – and from there to the borders of accepted song.
The 1980′s indeed signaled that development, from New York to other inner cities – and from there to the mainstream harmony scene in the United States and above. It also defined the beginnings of the argumentative “gangsta” manner, with noisy rhythms and boldy lude lyrics of rebellion and unrest against government and all restrictions.
By the 1990′s, hip hop had gone mainstream, yet even mainstreamed hip hop performers like MC Hammer and the then small prospect Lil Wayne never lost sight from where they came. They did not quiet down their harmony for their additional audiences, and even the little teenage Lil Wayne rapped in a defined gangsta style, outrageous and alternately delighting their new and traditional audiences alike.
Now, in the inception of the 21st century, hip hop is a part of the common amusement scene all over the world. Lil Wayne, now in his late 20′s, sells many of copies of his records, and hip-hop is displayed in film and at halftime shows during football games.
Hip-hop, desired by several and disdained by others for its restless acrimony, nevertheless stand for the control of the fresh, multicultural America and its effect on current culture all through the world. Lil Wayne is on the cutting brink of hip hop and rap harmony if you are a fan as I am you can get an excellent lil wayne poster and beautify your walls with his songgenius.
Meet the DJS-1000 stand-alone DJ sampler – Intuitive DJ-friendly interface and powerful performance features for improvising unique sounds and phrases.
Many of today’s professional DJs use electronic instruments and production gear in their live sets to help make their performances creative and unique. With an easy-to-use interface, 16 multicoloured step input keys, 16 multicoloured Performance Pads, a host of inputs and outputs, plus various other performance features, the DJS-1000 is the ideal musical instrument to take into the booth and propel your sets to the next level.
Add the DJS-1000 to your DJ set-up and you can intuitively create unique sounds and phrases in advance of your set, or on the fly, then sequence and loop them as you wish. Improvise a new groove by syncing and mixing with tracks playing on other equipment such as CDJs using the Beat Sync, tempo slider and nudge features. At a glance, the 7-inch full-colour touch screen gives you all the information you need to perform, thanks to easily recognisable sequence patterns and instrument icons assigned to the Performance Pads.
Other features installed on the DJS-1000 include Live Sampling, which enables you to easily sample input sounds and immediately use them as independent tracks or as FX to add to your mix.
The DJS-1000 will be available from mid-October 2017.
Bontan – You Don’t Know (Original Mix) – Circus Recordings
Athea – Lazarus (Original Mix) – Knee Deep In Sound
Third Son – All Bodies (Original Mix) – Polymath (Unreleased)
Sounds and samples provided by https://www.loopmasters.com
In one of the many urban clothing brands today, Akademiks is considered as one of the best when it comes to trend setting hip-hop fashion and styles. But what makes it so popular with the hip-hop devotees aside from other hip-hop and urban clothing brands?
You may not know this but the founders of Akademiks, Donwan and Emmett Harrell, once have worked with big names of the fashion industry inlcuding Donna Karan, Ecko, Phat Farm, and Nike (Donwan being one of the former top 10 designers at Nike).
The brothers then met up with the owner of Dr. Jays (a top brand of urban and hip-hop clothing shops), Elliot Betesh, where they were asked to design a new brand of hip-hop clothing line. Betesh was the one that inspired the brothers Harrell to start a new brand of clothing lines in which they called akademiks.
The name Akademiks is an intentional misspelling of the “academics”. The name Akademiks is spelled akdmks, or occasionally AKS, on many of the company’s garments. Some apparel also bears the Akademiks “A.S.A.P.” insignia, standing for “Akdmks Small Arms Patrol”.
Because of the huge popularity of Akademiks in the urban community, some personalities of the hip-hop industry started to take notice of the the brand’s unique trend of fashion and style. akademiks has gained popularity in the clothing industry due to the number of celebrities who wear the brand’s PRPS jeans, such as rappers Dizzee Rascal and 50 Cent .
Akademiks was popularized in 2001 by Brooklyn rapper Fabolous whose lyrical content advertised the brand. He also wore an akademiks velour on the inside cover of his debut album Ghetto Fabolous.
But other than fame and popularity, akademiks also gained notoriety when its advertisements on New York MTA buses, which included the tagline “Read Books, Get Brain”, were banned. Although MTA officials had not originally realised that there was any double meaning in this phrase, it was later pointed out that “get brain” was in fact a slang term. Akademiks then released another small group of ads for the MTA in early September, 2006. The ads are clean and without controversy.